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Paradise Jazz

Paradise Theatre Big Band

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Paradise Theatre Big Band

November 17, 2023—8:00pm

November 17, 2023—8:00pm
Orchestra Hall
2 hours
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Today’s top Detroit jazz musicians return to Orchestra Hall to form the Paradise Theatre Big Band, honoring Detroit’s legacy of jazz and the Paradise Valley and Black Bottom neighborhoods that served as a beacon of black culture from 1920–1950.

One-night-only, experience this dynamic group of multi-generational musicians performing genre-bending original compositions and hard-hitting music, including the world premiere “Stop Apologizing for Being Human,” a composition by bandleader Kris Johnson.


Kris Johnson


Kris Johnson is an award-winning trumpeter, composer, and educator based in the Detroit metro area. 

As an artist, Johnson’s work focuses on music that spans the depth and breadth Black American music. The influences that have shaped his artistry include Terence Blanchard, Thad Jones, Nicholas Payton, Stevie Wonder, Dave Matthews, Clifford Brown, Roy Hargrove, and many others. 

As the leader of The Kris Johnson Group, he has recorded several studio albums including Odd Expressions, Journey Through a Dream, and The Unpaved Road with Lulu Fall. Many of his projects in recent years have combined his music with technology and often address poignant themes, including his 2020 self-produced and entirely self-performed audio-visual album SAFE, which features his abstract illustrations and animation and explores childhood memories. In 2021, Johnson compiled the music produced for a social media series, which examines the idea of breaking free from generational trauma, into an album, #looptherapy, vol. 1. Lighter in mood but no less impressive is his series of videos with the Kris Johnson Big Band, a project dreamed up during the pandemic of 2020, which uses clever video editing to create a an entirely virtual large ensemble, the players of which were gathered from Johnson’s diverse circle friends and professional contacts from around the globe. 

Besides his own projects, Johnson’s career has been filled with incredible moments working as a trumpet player for hire. He toured the world with the illustrious Count Basie Orchestra from 2008-2019 and has performed at some of the world’s most prestigious jazz venues including the Apollo Theater, the Blue Note Jazz Club (US and Japan), Sydney Opera House, Blues Alley, and the Hollywood Bowl. Johnson has also had the opportunity to perform with many jazz greats including: the Jazz at Lincoln Center Jazz Orchestra with Wynton Marsalis, Tony Bennett, Patti Austin, Wes Anderson, Wycliffe Gordon, Jon Hendricks, Monty Alexander, Christian McBride, Jamie Cullum, and was featured soloist in the 2013 standup-comedy film Make Me Wanna Holla starring Sinbad. 

Johnson has a keen sensitivity to the nuances of film and a knack for storytelling through music, as is evident in his award-winning film scores for various web series, documentaries, short films, and feature films, and the two full-length musicals he has written. Kris scored the Dui Jarrod web series King Ester which was picked up by Issa Rae’s YouTube Channel “Issa Rae Presents.” The series was nominated for four Daytime Emmy Awards in 2020. Johnson received an Outstanding Score award for his work on the comedic web series, The PuNanny Diaries, at the 2011 LA Webfest and wrote the score for Searching For Shaniqua, which won HBO’s Best Doc Award at the 2016 Martha’s Vineyard Film Festival. 

The Plowshares Theater (Detroit, MI), in partnership with the Kresge Foundation, recently commissioned Johnson to compose a musical influenced by Detroit’s historic Black Bottom and Paradise Valley neighborhoods. Hastings Street: the musical is currently in development with music/lyrics co-composed by Johnson and playwright/actor John Sloan III who also wrote the book. Johnson was awarded a grant in 2014 from New Music USA to fund a studio recording of his original musical Jim Crow’s Tears with a book by Gary Anderson of Plowshares Theater (Detroit). 

In addition to his work on film scores and musicals, Johnson has been commissioned to write compositions and arrangements for the Count Basie Orchestra, Ken Thompkins (Principal Trombone, Detroit Symphony Orchestra), Arts League of Michigan, Karen Clark Sheard, Yolanda Adams, the Clark Sisters, Farmington Community Band, Detroit Symphony’s Civic Ensembles, Ferndale Community Concert Band, Motor City Brass Band, Troy High School, New Trier High School, and many others. In 2012, Johnson received an ASCAP Herb Alpert Young Jazz Composers award and was selected as one of 25 Detroit performing and literary artists to receive a $25,000 Kresge Artist Fellowship. 

Johnson’s journey as an educator began with his own education at Michigan State University, where he received his bachelor’s and master's degrees in jazz studies in 2005 and 2007, respectively. He has gone on to serve in the role of Director of Jazz Studies at the University of Utah from 20152019; a Project Director for Pontiac School District, leading a US Department of Education Arts in EducationModel Development and Dissemination Grant; and as the Education and Digital Programming Manager for the Motown Museum. Additionally, he has served on the teaching faculty at The Ohio State University, the Detroit Symphony Orchestra Civic Youth Ensembles, and as an Artistic Liaison for JazzEd Detroit through a partnership with ArtOps and the Fred A. and Barbara M. Erb Family Foundation. Currently, Johnson is the Director of Michigan State University’s Community Music School in Detroit. 

Milton Suggs


Shanelle Harrison

visual artist

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