American conductor Na’Zir McFadden is the Assistant Conductor and Phillip & Lauren Fisher Community Ambassador of the Detroit Symphony Orchestra.

McFadden also serves as Music Director of the Detroit Symphony Youth Orchestra. Together they’ll present three programs—exploring the masterworks of Sibelius, Schubert, Beethoven, Takashi Yoshimatsu and Einojuhani Rautavaara.

Establishing his presence on the classical music scene, the 2024/25 season includes debuts with the Boston Symphony Orchestra, Baltimore Symphony Orchestra, Nashville Symphony, and The No Name Pops (formerly the Philly Pops) at Marian Anderson Hall in Philadelphia’s Kimmel Center. He’ll also return to the New Mexico Philharmonic and the Philadelphia Ballet, in addition to several engagements with the Detroit Symphony Orchestra.

This past summer McFadden was invited by the Boston Symphony Orchestra as one of two 2024 Tanglewood Music Center Conducting Fellows. As a fellow, he conducted the Tanglewood Music Center Orchestra in numerous performances, and participated in masterclasses led by Andris Nelsons, Alan Gilbert, Thomas Wilkins, and Dima Slobodeniouk.

In the 2022-23 season, he made his subscription debut with the Detroit Symphony Orchestra, alongside bass-baritone Devóne Tines and clarinetist Anthony McGill. In March of 2024, he conducted the DSO’s Classical Roots program, premiering two new works by composers Billy Childs and Shelly Washington.

Other career highlights have included debuts with the North Carolina Symphony, Utah Symphony Orchestra, Kalamazoo Symphony Orchestra, and Philadelphia Ballet. Additionally, McFadden led a recording project with the Civic Orchestra of Chicago—featuring Hilary Hahn as co-collaborator and soloist.

In 2020, McFadden was named the inaugural Apprentice Conductor of the Philadelphia Ballet; a position he held until 2022. He also served as the Robert L. Poster Conducting Apprentice of the New York Youth Symphony from 2020 to 2021.

At the age of 16, Na’Zir conducted his hometown orchestra—The Philadelphia Orchestra—in their “Pop-Up” series, meeting their Music Director Yannick Nézet-Séguin who has been a mentor ever since. The Philadelphia Inquirer praised his “great stick [baton] technique and energetic presence on the podium” in their concert review.

Among his generation of concert artists, pianist Awadagin Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras. 

Born in Pittsburgh, Pratt began studying piano and violin at an early age. At 16, he entered the University of Illinois where he studied piano, violin, and conducting. He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school's history to receive diplomas in three performance areas—piano, violin, and conducting. 

In 1992, Pratt won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant. Since then, he has played numerous recitals throughout the US including performances at Lincoln Center, the Kennedy Center, Dorothy Chandler Pavilion in Los Angeles, Chicago’s Orchestra Hall, and the New Jersey Performing Arts Center. His many orchestral performances include appearances with the New York Philharmonic, the Minnesota Orchestra, and the Pittsburgh, Cincinnati, Baltimore, Indianapolis, Atlanta, St. Louis, National, and Detroit symphony orchestras among many others. Summer festival engagements include appearances at Ravinia, Blossom, Wolftrap, Caramoor, Aspen, and the Hollywood Bowl. 

Also an experienced conductor, Pratt has conducted programs with the Toledo, New Mexico, Vancouver WA, Winston-Salem, and Santa Fe symphonies, the Northwest Sinfonietta, the Concertante di Chicago, and several orchestras in Japan. His most recent conducting activities include playing and conducting the Chamber Orchestra of Pittsburgh, conducting performances of Porgy and Bess with the Greensboro Opera, and conducting a concert featuring the music of jazz great Ornette Coleman with Bang on a Can at the Brooklyn Academy of Music. In summer 2023, he begins his tenure as the Music Director of the Miami Valley Symphony Orchestra in Ohio. 

A great favorite on college and university performing arts series and a strong advocate of music education, Pratt participates in numerous residency and outreach activities wherever he appears. He has created a program called Black in America during which he tells about his encounters with the police, especially while driving, starting when he was a teenager and continuing through his post graduate studies and into his adulthood. His narrative is interspersed with live music performed by Pratt and students, followed by a panel discussion regarding the state of race in America today. Michelle Bauer Carpenter produced a documentary about Black in America which aired on 90 PBS stations across the country earlier this year. 

Pratt’s recordings for Angel/EMI include A Long Way From Normal, an all-Beethoven Sonata CD, Live From South Africa, Transformations, and an all-Bach disc with the St. Lawrence String Quartet. His most recent recordings are the Brahms Sonatas for Cello and Piano with Zuill Bailey for Telarc and a recording of the music of Judith Lang Zaimont with the Harlem String Quartet. 

Pratt is also the founder and Artistic Director of the Art of the Piano and produces a festival every spring featuring performances and conversations with well-known pianists and piano faculty members. This spring, he also organized the first Nina Simone Piano Competition for Black Pianists in collaboration with the Cincinnati Symphony, the University of Cincinnati College-Conservatory of Music, and the Art of the Piano Festival. The competition was made possible by a generous grant from the Sphinx Organization. 

Through the Art of the Piano Foundation and inspired by a stanza from T. S. Eliot’s Four Quartets, Mr. Pratt commissioned seven composers—Jessie Montgomery, Alvin Singleton, Judd Greenstein, Tyshawn Sorey, Jonathan Bailey Holland, Paola Prestini, and Peteris Vasks—to compose works for piano and strings or piano, strings, and a Roomful of Teeth. Singleton’s work was premiered with the New World Symphony in April 2021 and during the 2021–2022, 2022–2023, and 2023–2024 seasons, Pratt has or will have performed the Montgomery concerto with more than 30 US orchestras, including the Boston, Chicago, St. Louis, Atlanta, Baltimore, Indianapolis, and Milwaukee symphonies and the Minnesota Orchestra. All seven works were recorded in summer 2022 with the chamber orchestra A Far Cry for New Amsterdam Records. 

In July 2023, Pratt joined the faculty of the San Francisco Conservatory of Music as a Professor of Piano. He was previously a Professor of Piano and Artist in Residence at the College-Conservatory of Music at the University of Cincinnati for nineteen years. 

In recognition of his achievements in the field of classical music, he received the Distinguished Alumni Award from Johns Hopkins University as well as honorary doctorates from the Berklee College of Music and Illinois Wesleyan and delivered commencement addresses at those institutions as well as at Peabody Conservatory. 

Pratt is a Yamaha artist. For more information, please visit awadagin.com. 

Kris Johnson, a renowned trumpeter and arranger, has contributed to six GRAMMY-nominated albums, including the 2024 GRAMMY-winning "Basie Swings the Blues" by the Count Basie Orchestra. Leading The Kris Johnson Group, he has recorded several studio albums such as "Odd Expressions," "Journey Through a Dream," and "The Unpaved Road" with Lulu Fall, showcasing his dynamic range and artistic vision.

Founded in 1972 by Dr. Brazeal W. Dennard, the Brazeal Dennard Chorale is one of the longest standing organized choral groups in the country. For more than four decades, the Chorale has inspired audiences with its vocal excellence in the performance of choral music of all genres, while it continues to pursue the mission of its founder: to remember, discover, and preserve the spiritual music of the African American experience and culture.