Show artwork for Direct from Sweden: The Music of ABBA

Direct from Sweden: The Music of ABBA

with the Detroit Symphony Orchestra
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Direct from Sweden: The Music of ABBA

with the Detroit Symphony Orchestra

Sunday, July 28th, 2024—7:30pm

Sunday, July 28th, 2024—7:30pm
1 hour and 30 minutes
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"The Music of ABBA"—a group comprised of some of Sweden’s most experienced and talented singers and musicians—are no strangers to the incomparable sound and look of Sweden’s greatest musical export. With meticulous attention to costumes, makeup, musical arrangements, movements, and singing, nothing is left to chance. Adding a few of ABBA’s live traits such as great solos, musical numbers, and a complete live band with back-up singers ensures an extra dimension unheard of in most similar productions. 

Dance, sing along, and enjoy hits such as “Dancing Queen,” “Chiquitita,” “Waterloo,” “Mamma Mia,” “The Winner Takes It All,” “Fernando,” “SOS,” “Take a Chance on Me,” “Money, Money, Money,” “Knowing Me, Knowing You,” “Super Trouper,” “Gimme! Gimme! Gimme! (A Man After Midnight),” “Voulez-Vous,” and many more.

Please note: All tickets for this event will be sold through Ticketmaster on behalf of 313 Presents. The DSO Box Office will not sell tickets for this event. If you have questions about this performance, please contact 313 Presents.


Evan Roider


Conductor, Music Director and Pianist Evan Roider maintains an active schedule performing across the United States and abroad. Equally at home on the symphonic stage and in the orchestra pit, he is quickly becoming known as a conductor of great versatility. The 2023-2024 season includes engagements with San Diego Symphony, Utah Symphony, Charlotte Symphony, Sarasota Orchestra, Tucson Symphony, Toledo Symphony, and the No Name Pops. During the 2022-2023 season, he appeared with Pacific Symphony and The Manhattan Transfer, Tucson Symphony and Pink Martini, and the Greensboro Symphony with Michael Feinstein. He has assisted on Pops programming at both the National Symphony Orchestra and the Dallas Symphony. Currently, he serves as Music Director/Conductor for the National Tour of Wicked, having toured with Les Misérables and Cats.

As a Music Director, Evan has led productions of Mack and Mabel, A Chorus Line, Company, Into the Woods, The Music Man, Avenue Q, Spring Awakening, and The Wizard of Oz, among others. He was Assistant Conductor for Candide at Carnegie Hall with the Orchestra of St. Luke's (w/John Lithgow), and in 2019, was awarded the Best Music Director award from Broadway World CT for his work on Evita (ACT of Connecticut). Active in the development of new works, Evan spent two summers at the Eugene O'Neill Theater Center as part of the National Musical Theater Conference as well as the Cabaret & Performance Conference. He served as music director and pianist for Broadway in Ravello (Italy), a production that was broadcast on Italian National Television, and premiered new arrangements of Leonard Bernstein works at Grand Performances Los Angeles. At Barrington Stage, he was the Associate Music Director for the critically acclaimed production of The Pirates of Penzance, a production the New York Times called, "exhilarating".

As a pianist, Evan is a strong advocate of new music, having worked with composers Jake Heggie, William Bolcom, Gwyneth Walker, and Ben Moore, among others. In 2014, he made his debut in China with Cardiff Singer of the World Yang Guang and in 2015, he spearheaded a residency featuring Jake Heggie and Sister Helen Prejean (Dead Man Walking). He has performed at SongFest, Liederfest, the Indiana University Summer Music Festival, the Amalfi Coast Music Festival, and the New Orleans International Piano Competition Institute—having coached with Graham Johnson, Martin Katz, William Bolcom, Nelita True, John Perry, Margo Garrett, and Aldo Ciccolini, among others.  

Evan is a graduate of the College-Conservatory of Music, University of Cincinnati, where he earned a Masters in Orchestral Conducting, having received a BM in Piano from the Hartt School in Connecticut.



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