Jader Bignamini was introduced as the 18th music director of the Detroit Symphony Orchestra in January 2020, commencing with the 2020–2021 season. His infectious passion and artistic excellence set the tone for the seasons ahead, creating extraordinary music and establishing a close relationship with the orchestra. A jazz aficionado, he has immersed himself in Detroit’s rich jazz culture and the influences of American music.

In December, Bignamini returned to Detroit to lead a triumphant performance of Jessie Montgomery’s Starburst, Strauss’s Concerto for Oboe and Small Orchestra, and Beethoven’s Symphony No. 3, “Eroica.” He returned again in May 2021 to conduct four programs including performances with violinist Midori and pianist Orli Shaham.

A native of Crema, Italy, Bignamini studied at the Piacenza Music Conservatory and began his career as a musician (clarinet) with Orchestra Sinfonica La Verdi in Milan, later serving as the group’s resident conductor. Captivated by the operatic arias of legends like Mahler and Tchaikovsky, Jader explored their complexity and power, puzzling out the role that each instrument played in creating a larger-than-life sound. When he conducted his first professional concert at the age of 28, it didn’t feel like a departure, but an arrival.

In the years since, Bignamini has conducted some of the world’s most acclaimed orchestras and opera companies in venues across the globe including working with Riccardo Chailly on concerts of Mahler’s Eighth Symphony in 2013 and his concert debut at La Scala in 2015 for the opening season of La Verdi Orchestra. Recent highlights include debuts with the Houston, Dallas, and Minnesota symphonies; Osaka Philharmonic and Yomiuri Nippon Symphony Orchestra in Tokyo; with the Metropolitan Opera, Vienna State Opera, and Dutch National Opera (Madama Butterfly); Bayerische Staatsoper (La Traviata); I Puritani in Montpellier for the Festival of Radio France; Traviata in Tokyo directed by Sofia Coppola; return engagements with Oper Frankfurt (La forza del destino) and Santa Fe Opera (La Bohème); Manon Lescaut at the Bolshoi; Traviata, Madama Butterfly, and Turandot at Arena of Verona; Il Trovatoreand Aida at Rome’s Teatro dell’Opera; Madama Butterfly, I Puritani, and Manon Lescaut at Teatro Massimo in Palermo; Simon Boccanegra and La Forza del Destino at the Verdi Festival in Parma; Ciro in Babilonia at Rossini Opera Festival and La Bohème, Madama Butterfly, and Elisir d’amore at La Fenice in Venice.

When Bignamini leads an orchestra in symphonic repertoire, he conducts without a score, preferring to make direct eye contact with the musicians. He conducts from the heart, forging a profound connection with his musicians that shines through both onstage and off. He both embodies and exudes the excellence and enthusiasm that has long distinguished the DSO’s artistry.

Macedonian pianist Simon Trpčeski (pronounced terp-CHESS-kee) has established himself as one of the most remarkable musicians to have emerged in recent years, praised not only for his powerful virtuosity and deeply expressive approach, but also for his charismatic stage presence. Launched onto the international scene twenty years ago as a BBC New-Generation Artist, his fast-paced career, unhindered by cultural or musical boundaries, has seen him collaborate with over a hundred different orchestras on four continents with appearances on the most prestigious stages.

Trpčeski is a frequent soloist with the major North American orchestras, including the New York and Los Angeles Philharmonics, the Cleveland, Philadelphia and Minnesota Orchestras, and the Chicago, San Francisco, National, St. Louis, Detroit, Atlanta, Seattle, and Baltimore symphonies among others. Engagements with major European ensembles include all of the major London orchestras, City of Birmingham Symphony, Royal Concertgebouw Orchestra, Deutsche Symphonie-Orchester Berlin, Dresden Philharmonic, Russian National Orchestra, Orchestre National de France and the St. Petersburg Philharmonic. Elsewhere, he has appeared with the New Japan, China, Seoul and Hong Kong Philharmonics, and the Sydney, Adelaide, Melbourne, and New Zealand symphonies.

The long list of prominent conductors Trpčeski has worked with includes Lorin Maazel, Vladimir Ashkenazy, Marin Alsop, Gustavo Dudamel, Christian Macelaru, Gianandrea Noseda, Vasily Petrenko, Charles Dutoit, Jakob Hrusa, Vladimir Jurowski, Susanna Malkki, Andris Nelson, Antonio Pappano, Robert Spano, Michael Tilson Thomas, and Daivd Zinman.

Trpčeski’s fruitful collaboration with EMI Classics, Avie Records, Wigmore Hall Live, Onyx Classics, and currently Linn Records has resulted in a broad and award-winning discography which includes repertoire such as Rachmaninoff’s complete works for piano and orchestra and the Prokofiev piano concertos as well as composers such as Poulenc, Debussy, and Ravel. Variations, his latest solo album released in Spring 2022 features works by Brahms, Beethoven, and Mozart.

Born in Macedonia in 1979, Simon Trpčeski is a graduate of the School of Music at the University of St. Cyril and St. Methodius in Skopje, where he studied with Boris Romanov. Committed to strengthening the cultural image of his native country, his chamber music project MAKEDOMISSIMO is dedicated to introducing audiences world-wide to the rich traditional Macedonian folk roots, which weaves the Macedonian folk music tradition with highly virtuosic, jazz influenced riffs, and harmonies into one unique sound world. Since its successful premiere in 2018, Makedonissimo has performed to audiences world-wide and released a CD on Linn Records.

In 2009, Trpčeski received the Presidential Order of Merit for Macedonia and in 2011, he became the first-ever recipient of the title “National Artist of Macedonia.” He was a BBC New Generation Artist 2001-2003 and in 2003 was honored with the Young Artist Award by the Royal Philharmonic Society.