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PVS Classical

Beethoven’s Fifth

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Beethoven’s Fifth

Thursday, January 14—Saturday, January 16, 2027

Thursday, January 14—Saturday, January 16, 2027
Orchestra Hall
2 hours
Tickets start at {{ vm.min_price_formatted }}

A journey to beginnings. In ARCHORA, Anna Thorvaldsdóttir seeks the origins of life in music shaped by primordial forces. Katherine Balch’s violin concerto Artifacts is a fond tribute to the friendship between the composer and the DSO Concertmaster Robyn Bollinger. Beethoven’s Fifth Symphony grows a compelling world from the smallest musical seed. | Join us for a pre-concert talk 1 hour before most performances. 

Pre-concert Talk
Join us one hour prior to most classical performances for a 30-minute pre-concert talk. Pre-concert talks are an opportunity for conductors, musicians, and other experts to share more about the music and enhance your connection to the evening's program. You will get a glimpse into the composer's inspiration, the story behind a work, what to look for in a soloist's performance, and more! With a deeper understanding of the music, your symphony experience will be more engaging and even more memorable. Please note, our pre-concert talks are scheduled for every PVS Classical Series performance, except Friday morning Coffee Concerts.

Insider tip: Seating for pre-concert talks is general admission in Orchestra Hall. Try out a different seat or section from your ticket for a new perspective. 

Program

Anna Thorvaldsdóttir
ARCHORA
Katherine Balch
Artifacts
Ludwig Van Beethoven
Symphony No. 5 in C minor

Artists

Tabita Berglund

conductor

Tabita Berglund has established herself as one of the most in-demand conductors of her generation. With a charismatic style that combines elegance, verve and precision—eliciting “exceptional music-making” (The Arts Desk)—she collaborates with leading orchestras worldwide. Berglund is Principal Guest Conductor of both the Detroit Symphony Orchestra and Dresdner Philharmonie, having been appointed to each position following her respective debut.

Berglund commences 2025–26 with Dresdner Philharmonie’s season-opening concerts—her inaugural engagement as the orchestra’s new Principal Guest. Notable debut appearances across the season include Deutsches Symphonie-Orchester Berlin, Staatskapelle Berlin, Cincinnati Symphony Orchestra, St. Louis Symphony, hr-Sinfonieorchester Frankfurt, NDR Elbphilharmonie Orchester, Sydney and Melbourne symphony orchestras, while returns include Dallas Symphony Orchestra, Gothenburg Symphony, Bergen Philharmonic Orchestra, Lahti Symphony Orchestra, Düsseldorfer Symphoniker, Tonkünstler-Orchester Niederösterreich, and Trondheim Symphony Orchestra. Among the highlights of Berglund’s second season in Detroit is a specially curated two-week Northern Lights Festival.

Berglund regularly collaborates with leading international soloists; recent and forthcoming partnerships include Jean-Yves Thibaudet, Hélène Grimaud, Pekka Kuusisto, Leila Josefowicz, Augustin Hadelich, Truls Mørk, Kirill Gerstein, Nicolas Altstaedt, Håkan Hardenberger, Alexander Malofeev and Camilla Tilling, to name a few. Her 2025–26 programming reflects her breadth of repertoire interests, from Mozart and Schubert to Tchaikovsky, Scriabin, Mahler, Schoenberg, Bartók, and Lutosławski, among others, and continues her championing of Nordic compatriots such as Thorvaldsdottir, Sibelius, and Irgens-Jensen.

Recent engagements include Los Angeles Philharmonic, Minnesota Orchestra, Houston Symphony, Tokyo Metropolitan Symphony Orchestra, Bamberger Symphoniker, Gürzenich-Orchester Köln, Royal Stockholm Philharmonic Orchestra, Philharmonia Orchestra, Orchestre de chambre de Paris, Polish National Radio Symphony Orchestra, and Iceland Symphony Orchestra, among others. Among Berglund’s past festival appearances are Festival Internacional de Música y Danza de Granada and Grafenegg, while recent opera and ballet productions include Mozart’s Le nozze di Figaro (Garsington Opera, 2024) and Tchaikovsky’s The Nutcracker (Norwegian National Opera and Ballet, 2024). In Summer 2024 Berglund chaired the jury for the grand finale of the Eurovision Young Musicians competition, broadcast live on television throughout Europe via the major networks.

Berglund studied at the Norwegian Academy of Music, first as a cellist with Truls Mørk and later orchestral conducting with Ole Kristian Ruud. She played regularly with the Oslo and Bergen Philharmonic orchestras as well as the Trondheim Soloists before conducting became her main focus. Her first titled position was as Principal Guest Conductor of Kristiansand Symphony Orchestra (2021–2024). Her debut CD, with Oslo Philharmonic and violinist Sonoko Miriam Welde, was released in 2021 (LAWO) and nominated for a Norwegian GRAMMY® (Spellemann) in the 2022 Classical Music category.

Robyn Bollinger

Concertmaster

Daring, versatile, and charismatic, American violinist Robyn Bollinger is the newly appointed Concertmaster of the Detroit Symphony Orchestra. Equally at home as soloist, chamber musician, orchestral leader, and pedagogue, Bollinger is an artist at the forefront of classical music. Having made her Philadelphia Orchestra debut at age 12, she regularly performs with orchestras across the United States. Past highlights include engagements with the Boston Pops and the symphony orchestras of Brevard, California, Charleston, Grand Tetons Music Festival, Helena, Illinois, Indian Hill, Knoxville, and Symphony in C. In 2019, Bollinger gave the world premiere of Artifacts, a four-movement violin concerto commissioned by the California Symphony by composer Katherine Balch and written specifically for Bollinger.

A sought-after collaborator and recitalist, Bollinger is a popular figure on chamber music stages around the world. She is a returning participant at the acclaimed Marlboro Music Festival and has been featured in numerous national tours with Musicians from Marlboro. She has toured in Midori’s Music Sharing International Community Engagement Program “ICEP” in Japan, performing in recital in Osaka’s Phoenix Hall, Tokyo’s Oji Hall, and Tokyo National Arts Center. A prizewinner at the 2007 Fischoff National Chamber Music Competition, Bollinger has appeared at the chamber music festivals of Halcyon, Highlands-Cashiers, Lake Champlain, Monadnock, and Orcas Island. She has presented recitals at the Isabella Stewart Gardner Museum, National Sawdust, Emory University, Kalliroscope Gallery, Live from Indian Hill, the California Symphony, and more. She appears regularly with the Chameleon Arts Ensemble in Boston, the Boston Chamber Music Society, Mistral Music, Spruce Peak Chamber Music Society, and Glissando Music, among others. 

Bollinger has been recognized for both her innovation and entrepreneurship. She received a prestigious Fellowship from the Lenore Annenberg Arts Fellowship Fund for her multimedia performance project, “CIACCONA: The Bass of Time,” later releasing a commercial CD and DVD of the project and presenting a national tour of the program. An examination of the history and legacy of the Bach’s famed chaconne for solo violin, the program received critical acclaim from The New York Times, The Boston Globe, and the San Francisco Chronicle, among others. Bollinger has also been recognized with an Entrepreneurial Musicianship Grant from New England Conservatory for her ground-breaking “Project Paganini,” a performance project featuring the twenty-four Caprices of Paganini. She was recently awarded a historic Early-Career Musician Fellowship from Dumbarton Oaks Museum in Washington, DC, to research and prepare her next multimedia project, “Encore! Just One More,” to be debuted in future seasons. 

A noted leader and ensemble player, Bollinger has been a frequent Guest Concertmaster with the Pittsburgh Symphony and has made Guest Concertmaster appearances with the Indianapolis Symphony and St. Bart’s Music Festival Orchestra. She is a former member of A Far Cry, the Boston-based, democratically run chamber orchestra, and she has appeared on commercial recordings with both the Pittsburgh Symphony and A Far Cry, all of which were nominated for Grammy Awards.

Bollinger is a devoted educator, having presented masterclasses at the Cincinnati Conservatory, the Longy School of music, University of California Bakersfield, Temple University Preparatory School, and a unique masterclass examining classical music in the context of Aristotle at the University of Tennessee Chattanooga. She is a former faculty member at New England Conservatory Preparatory School in Boston and Brandeis University. She earned both her bachelor’s and master’s degrees with academic honors from the New England Conservatory of Music. Her major teachers included Soovin Kim, Miriam Fried, Paul Biss, Paul Kantor, and Lyle Davidson. Bollinger currently plays on the ~1718 “Bostonian” Stradivari on generous loan from a private collector, made possible through the Reuning Artist Society.

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