Show artwork for French Splendor: Ravel, Debussy, and More
PVS Classical

French Splendor: Ravel, Debussy, and More

> Subscribe Now
{{ vm.availability_status }}

French Splendor: Ravel, Debussy, and More

Thursday, November 5—Saturday, November 7, 2026

Thursday, November 5—Saturday, November 7, 2026
Orchestra Hall
2 hours
Tickets start at {{ vm.min_price_formatted }}

Immerse yourself in the luminous world of French music. Debussy’s Prelude to the Afternoon of a Faun shimmers with summer heat. Dutilleux’s visionary cello concerto, A whole distant world..., has been a lifelong passion for cellist Zuill Bailey. In Color, Marc-André Dalbavie combines sounds like a painter, before Ravel’s Daphnis et Chloé erupts in sun-drenched orchestral splendor. | Join us for a pre-concert talk 1 hour before most performances.

Pre-concert Talk
Join us one hour prior to most classical performances for a 30-minute pre-concert talk. Pre-concert talks are an opportunity for conductors, musicians, and other experts to share more about the music and enhance your connection to the evening's program. You will get a glimpse into the composer's inspiration, the story behind a work, what to look for in a soloist's performance, and more! With a deeper understanding of the music, your symphony experience will be more engaging and even more memorable. Please note, our pre-concert talks are scheduled for every PVS Classical Series performance, except Friday morning Coffee Concerts.

Insider tip: Seating for pre-concert talks is general admission in Orchestra Hall. Try out a different seat or section from your ticket for a new perspective. 

Program

Claude Debussy
Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun)
Henri Dutilleux
Tout un monde lointain... (A whole distant world...)
Marc-André Dalbavie
Color
Maurice Ravel
Daphnis et Chloé Suite No. 2

Artists

Marie Jacquot

conductor

Marie Jacquot has played her way into the forefront of exciting young conductors through numerous outstanding debuts with top-class orchestras, her consistent musical work and her interest in exploring a wide-ranging repertoire.

From the 2023–2024 season, Jacquot is the Principal Guest Conductor of the Wiener Symphoniker, with whom she has already appeared at the Bregenz Festival, the Vienna Konzerthaus, and the Vienna Musikverein. In summer 2024, she will additionally take over the position as Principal Conductor of the Royal Danish Theatre Copenhagen.

Already in 2023–2024, Jacquot is a Guest Conductor at the Copenhagen Opera for a new production of Eugene Onegin. Debuts this season will take her to Oper Frankfurt (Die Zauberflöte) and to a world premiere by Marc-André Dalbavie at the Deutsche Staatsoper Berlin, among others, as well as in concerts with the Munich Philharmonic, the Swedish Radio Symphony Orchestra, the Gothenburg Symphony Orchestra, the Yomiuri Nippon Symphony Orchestra, and the Dallas Symphony Orchestra.

Successful debuts and re-invitations of the past seasons include a.o. Gewandhausorchester Leipzig, Sächsische Staatskapelle Dresden, the symphony orchestras of Bavarian Radio Munich, WDR Cologne, HR Frankfurt, and mdr Leipzig, as well as DSO Berlin, the Karajan Academy of the Berlin Philharmonic, the Malmö Symphony Orchestra, and the Orchestre de Chambre de Lausanne.

She has also conducted premieres and performances in a wide repertoire at prominent opera houses, including Semperoper Dresden (Eötvös's The Golden Dragon , Carmen), Staatsoper Stuttgart (Medée, Don Giovanni ), Deutsche Oper Berlin (La traviata), Komische Oper Berlin (Thomas's Hamlet), Opéra National du Rhin Strasbourg (world premiere by Thierry Pécou), Flemish Opera Antwerp/Gent (Le nozze di Figaro) and Opéra National de Lorraine in Nancy (L'amour des trois oranges).

Between 2016 and 2019, Jacquot was First Kapellmeister and Deputy General Music Director in Würzburg. From 2019, she was First Kapellmeister at the Deutsche Oper am Rhein Düsseldorf / Duisburg for three years, where she conducted the new productions of La Clemenza di Tito,Roméo et Juliette, and The Nutcracker, as well as concerts with the Düsseldorfer Symphoniker and the Duisburger Philharmoniker.

After studying trombone in Paris, Jacquot studied conducting in Vienna and Weimar, attended various masterclasses, and held a scholarship of the Conductors' Forum of the German Music Council. In 2016, she was assistant to Kirill Petrenko at the Bavarian State Opera for the world premiere of Miroslav Srnka's South Pole and subsequently conducted two productions of her own at the Munich Opera Festival.

Her awards include the "Ernst Schuch Prize" in 2019, as well as a nomination for "Newcomer of the year" at the International Opera Awards.

Fund The Future

Join donors from across the Detroit community and around the world to bring outstanding music, life-changing educational programs and far-reaching engagement activities to over 500,000 people each year!

Artwork for Orchestra Hall
Presented at
Orchestra Hall
3711 Woodward Avenue, Detroit, MI
Venue Information