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Relaxed Open Rehearsal: New World Symphony

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Relaxed Open Rehearsal: New World Symphony

Tuesday, November 18, 2025—10:00am

Tuesday, November 18, 2025—10:00am
Orchestra Hall
2 hours and 30 minutes
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This free, relaxed open rehearsal gives you a behind-the-scenes look at the DSO as the musicians prepare for Educational Concerts. Hands-on activities are available from 9-10am.

"Relaxed" events are designed for individuals on the autism spectrum and with other sensory sensitivities. Our culture can be unforgiving if you're unable to conform to the standard concert etiquette of quietly sitting still for extended periods. This excludes individuals who are unable to sit still or who may express emotions such as joy or excitement through vocalization. This relaxed open rehearsal aims to remove barriers, allowing everyone to be themselves and enjoy a musical experience in a safe and judgement-free environment.

Your experience includes:
• Exclusive access to a DSO rehearsal;
• Limited audience size for reduced crowds;
• A sensory toolkit with noise-cancelling headphones and fidgets for use during the rehearsal (limited number available);
• Quiet Space to take a break;
• Pre-rehearsal activities from 9-10am;
• Complimentary parking;
• Trained DSO staff members – the Mid-Michigan Autism Association has provided training to our staff to help them better understand the characteristics of autism and how to better communicate with someone with autism;
• Resources to help you prepare for the event, including an information guide, social story, and Spotify playlist.

Program

ANTONÍN DVOŘÁK
Symphony No. 9, "From the New World"
BEDŘICH SMETANA
“The Moldau”, No. 2 from Má vlast 

Artists

Ingrid Martin

conductor

Ingrid Martin puts people at the heart of every musical experience. Her work as a conductor and teacher is shaped by a career spanning music, medicine, and education.

In 2025, Martin joins the Detroit Symphony Orchestra as Assistant Conductor and Phillip and Lauren Fisher Community Ambassador. She also debuts with the Adelaide Symphony Orchestra and Orchestra Victoria and leads the Louise Crossley Conductor Training Program for the Tasmanian Symphony Orchestra. She returns to conduct the Auckland Philharmonia, Christchurch Symphony Orchestra, Queensland Symphony Orchestra, and Melbourne Symphony Orchestra, following her 2024 tenure as New Zealand Assistant Conductor in Residence.

Martin loves championing new repertoire and bringing audiences closer to music through thoughtfully curated experiences. She has commissioned 15 works for youth orchestras, conducted 20 world premieres, and recorded over 50 student compositions. Through her original orchestral shows, Martin invites audiences of all ages to explore unexpected connections between music and other disciplines, from physics to painting.

Martin was the first Australian admitted to the Taki Alsop Conducting Fellowship Mentoring Program (2024–2025). She was also a fellow of the Australian Conducting Academy (2023–2024) and the Carlos Miguel Prieto Conducting Fellowship with the Orchestra of the Americas (2022).

Before pursuing conducting professionally, Martin worked for a decade in emergency medicine then retrained as a teacher. Her approach to music and leadership is deeply informed by the skills she developed in these careers: listening closely, thinking clearly under pressure, and communicating complex ideas.

Martin has built a global following for Conducting Artistry, her platform for practical resources, podcasts, books, and online tools that empower teachers and students to deepen their artistry. She is a sought-after speaker and clinician at international music education conferences including the Midwest Clinic and Texas Music Educators’ Association, and her book Planning Effective Rehearsals is required reading for university music education programs worldwide.

At home, she’s rarely far from a craft project and a strong black coffee.

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