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Reinecke’s Flute Concerto

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Reinecke’s Flute Concerto

Thursday, January 12—Sunday, January 15, 2023

Thursday, January 12—Sunday, January 15, 2023
Southfield, Monroe, Beverly Hills
2 hours

Dvořák's "New World" Symphony, written while the composer was living in the United States, embraces the audience with stirring melodies and powerful harmonies. Margaret Bonds’s set of variations pays tribute to Martin Luther King, Jr., and Principal Flute Hannah Hammel Maser solos in Reinecke’s flute concerto, a work of melodic fluidity and warmth.

Performances

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Program

MARGARET BONDS
Montgomery Variations
CARL REINECKE
Flute Concerto
ANTONÍN DVOŘÁK
Symphony No. 9, "From the New World"

Artists

Lidiya Yankovskaya

conductor

Lidiya Yankovskaya is a fiercely committed advocate for Slavic masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 17 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. Since her appointment as Elizabeth Morse and Genius Music Director of Chicago Opera Theater in 2017, Ms. Yankovskaya has led the Chicago premieres of Jake Heggie’s Moby-Dick, Rachmaninov’s Aleko, Joby Talbot’s Everest, Tchaikovsky’s Iolanta, and Adamo’s Becoming Santa Claus, as well as the world premiere of Dan Shore’s Freedom Ride. Her daring performances before and amid the pandemic earned recognition from the Chicago Tribune, which praised her as “the very model of how to survive adversity, and also how to thrive in it,” while naming her 2020 Chicagoan of the Year.

In the 2022-2023 season, Yankovskaya makes a series of major orchestral debuts, including performances with Los Angeles Philharmonic, New York Philharmonic, National Symphony Orchestra, Detroit Symphony Orchestra, Sacramento Philharmonic, Knoxville Symphony, and Richmond Symphony. She returns to the Chicago Symphony Orchestra for their MusicNOW series, conducting a work by CSO Composer-in-Residence Jessie Montgomery. She also debuts at Santa Fe Opera in a new production of Dvořák’s Rusalka, at Staatsoper Hamburg with Eugene Onegin, and at English National Opera, conducting a new staged production of Górecki’s Symphony of Sorrowful Songs. She leads the long-awaited world premieres of Edward Tulane at Minnesota Opera and The Life and Death(s) of Alan Turing at Chicago Opera Theater, where she also conducts the Chicago premiere of Szymanowski’s Król Roger.

Yankovskaya has recently conducted Carmen at Houston Grand Opera, Don Giovanni at Seattle Opera, Pia de’ Tolomei at Spoleto Festival USA, Der Freischütz at Wolf Trap Opera, Ellen West at New York’s Prototype Festival, and Taking Up Serpents at Washington National Opera and the Glimmerglass Festival. On the concert stage, recent engagements include Chicago Symphony Orchestra, Dallas Symphony Orchestra, Fort Worth Symphony Orchestra, Omaha Symphony, Rhode Island Philharmonic, and Julia Wolfe’s Anthracite Fields with Bang on a Can All-Stars and The Choir of Trinity Wall Street at Carnegie Hall.

Yankovskaya is Founder and Artistic Director of the Refugee Orchestra Project, which proclaims the cultural and societal relevance of refugees through music, and has brought that message to hundreds of thousands of listeners around the world. In addition to a National Sawdust residency in Brooklyn, ROP has performed in London, Boston, Washington, DC, and the United Nations. She has also served as Artistic Director of the Boston New Music Festival and Juventas New Music Ensemble, which was the recipient of multiple NEA grants and National Opera Association Awards under her leadership.

As Music Director of Harvard’s Lowell House Opera, Yankovskaya conducted sold-out performances of repertoire rarely heard in Boston, including Tchaikovsky’s The Queen of Spades, Britten’s A Midsummer Night’s Dream, and the U.S. Russian-language premiere of Rimsky-Korsakov’s The Snow Maiden. Her commitment to exploring the breadth of symphonic and operatic repertoire has also been demonstrated in performances of Rachmaninoff’s Aleko and the American premieres of Donizetti’s Pia de’ Tolomei, Rubinshteyn’s The Demon, and Rimsky-Korsakov’s Kashchej The Immortal and Symphony No. 1.

An alumna of the Dallas Opera’s Hart Institute for Women Conductors and the Taki Alsop Conducting Fellowship, Yankovskaya has also served as assistant conductor to Lorin Maazel, chorus master of Boston Symphony Orchestra, and conductor of Boston Youth Symphony Orchestra. She has been featured in the League of American Orchestras Bruno Walter National Conductor Preview and Cabrillo Festival for Contemporary Music, and assisted Vladimir Jurowski via a London Philharmonic fellowship.

Yankovskaya holds a B.A. in Music and Philosophy from Vassar College, with a focus on piano, voice, and conducting, and earned an M.M. in Conducting from Boston University. Her conducting teachers and mentors have included Lorin Maazel, Marin Alsop, Kenneth Kiesler, and Ann Howard Jones.

Yankovskaya’s belief in the importance of mentorship has fueled the establishment of Chicago Opera Theater’s Vanguard Initiative, an investment in new opera that includes a two-year residency for emerging opera composers. Committed to developing the next generation of artistic leaders, she also volunteers with Turn The Spotlight, a foundation dedicated to identifying, nurturing, and empowering leaders – and in turn, to illuminating the path to a more equitable future in the arts.

Recipient of Solti Foundation U.S. Career Assistance Awards in 2018 and 2021, Yankovskaya has been a featured speaker at the League of American Orchestras and Opera America conferences, and served as U.S. Representative to the 2018 World Opera Forum in Madrid.

Hannah Hammel Maser

Principal

Hannah Hammel Maser joined the Detroit Symphony Orchestra as Principal Flute in January 2020. She also plays regularly with Detroit Chamber Winds and Strings and New Music Detroit. Before joining the DSO, Hannah held the position of Principal Flute of the Knoxville Symphony Orchestra from 2017-2019. 

As an orchestral musician, Hannah has performed with the New York Philharmonic, Cleveland Orchestra, Pittsburgh Symphony, Nashville Symphony, Houston Grand Opera, Richmond Symphony, and New World Symphony. Hannah has attended summer festivals including Tanglewood Music Center, Music Academy of the West, Pacific Music Festival, Spoleto Festival USA, and Round Top Music Festival.

Hannah is a sought after teacher and orchestral excerpt coach and has been invited to teach for the Cleveland Institute of Music, Oberlin Conservatory, Cincinnati Conservatory of Music, University of North Texas, University of Alabama, University of Michigan, and Michigan State University and was a coach for Sphinx's 2022 Audition Intensive at New World Symphony. Hannah has an active private studio in Detroit and also enjoys coaching flutists virtually.

As a soloist, Hannah has won first place in the 2016 National Flute Association's Young Artist Competition, 2016 Houston Flute Club Byron Hester Competition, the 2015 Atlanta Flute Association Young Artist Competition, the 2014 National Flute Association Orchestral Excerpt & Masterclass Competition, 2013 Central Ohio Flute Association Collegiate Division Competition and second place in the 2013 Mid-South Flute Society’s Young Artist Competition. Hannah now serves as the Competition Coordinator for the NFA's Orchestral Excerpt & Masterclass Competition. 

A native of Richmond, VA, Hannah began studying the flute with her mother, Alice Hammel. She holds a BM in flute performance and a minor in music theory from The Oberlin Conservatory (2015) where she studied with Alexa Still. She graduated with her MM in flute performance in 2017 from Rice University's Shepherd School of Music as a student of Leone Buyse.

Hannah plays on an 18K gold Muramatsu flute and a Keefe piccolo. She lives in Detroit with her husband, trombonist Ian Maser, and their two labradoodles, Evelyn and Cooper.

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