Show artwork for BEETHOVEN FOR SEVEN
Classical

BEETHOVEN FOR SEVEN

DSO Digital Concerts

BEETHOVEN FOR SEVEN

DSO Digital Concerts

Thursday, October 15—7:30pm

Thursday, October 15—7:30pm
Orchestra Hall
45 minutes

Beethoven’s Septet for winds and strings, written just a few years before the First Symphony, was his most acclaimed work during his lifetime. In this chamber music performance by DSO musicians, hear how Beethoven’s music was evolving from its Classical-era roots to the vast and emotional Romanticism that would define the later works we know and love.

Program

BEETHOVEN
Septet in E-flat major, Op. 20

Artists

Kimberly Kaloyanides Kennedy

Acting Concertmaster

Kimberly Ann Kaloyanides Kennedy won her coveted position as a violinist with the Detroit Symphony Orchestra at the age of 22. In 2003, Kennedy further realized her dream when she became Associate Concertmaster.

Kimberly began her study of the violin at the age of 5 in Dayton, OH. Being the daughter of a Minister of Music and church organist allowed her many chances to share from her heart in front of congregations. Her love of music became what undoubtedly would be her career as she pursued her studies at Brevard Music Center and Interlochen Arts Camp as the Governor’s Scholar for the state of Ohio. She continued her studies at the Sarasota Music Festival; spent four summers at the Aspen Music Festival on Fellowship, as Associate Concertmaster of the Chamber Orchestra; spent three years at the Harid Conservatory in Boca Raton, Florida with Sergiu Schwartz; and finally landed at the University of Michigan with Paul Kantor. It was half way through her senior year at Michigan in 1998 that her hard work paid off, when she joined the first violin section of the Detroit Symphony Orchestra.

Throughout her training, she won several prizes in competitions around the country, including the Grand Prize in the National MTNA competition and 1st prize in the Greek Women’s National Competition in Chicago; the Skokie Valley Concerto Competition, where she performed Barber Violin Concerto; the Universtiy of Michigan Concerto Competition, where she performed Ravel’s Tzigane; and the Harid Conservatory Concerto Competition, where she performed the Mendelssohn Violin Concerto. Kimberly was one of the few Americans invited to the International Violin Competition of Indianapolis in 1998. She solos regularly with the Detroit Symphony Orchestra.

Kimberly enjoys performing chamber music regularly around Michigan with various groups, including the Detroit Chamber Winds and Strings, on series such as Chamber Music North, Fairlane Concert Guild, Pro Mozart, Classical Brunch in Birmingham, and the Great Lakes Chamber Music Festival.

Kimberly is passionate about serving others through her music, both at church and around the community. She loves teaching and sharing what God has put in her heart with her students. Kimberly and her husband Bryan Kennedy, fourth horn of the DSO, are strongly committed to this orchestra and to this region. They believe in the future of this great organization and intend to work diligently to ensure that it remains the internationally renowned and artistically revered Detroit Symphony Orchestra.

Kimberly and Bryan live in Plymouth with their two beautiful children, Ethan and Lauren, as well as their two dogs, cat, hamsters, fish and bunny.

Eric Nowlin

Principal Viola

Violist Eric Nowlin has performed extensively throughout the United States as well as abroad. Eric's performance of Berlioz’ Harold in Italy with the Detroit Symphony Orchestra was described by Classical Source as "outstanding…his distinctive timbre and sovereign musicianship at one with Slatkin’s perfectly paced account… totally compelling."

Past accomplishments include receiving second prize in the prestigious Walter W. Naumburg Competition, first prize in the Irving Klein International String Competition; first prize in the Hellam Young Artists Competition; grand prize in the Naftzger Young Artists Competition; and winner of the Juilliard Viola Concerto Competition. Performances have included solo engagements with the Detroit Symphony Orchestra, Springfield Symphony in Missouri, Santa Cruz Symphony, Peninsula Symphony, and the Kumamoto Symphony in Japan, as well as recitals in New York, Chicago, San Francisco, Toronto, and Mexico.

Eric is the violist of the Juno and Opus Award winning New Orford String Quartet. Other chamber music activities have included participating in festivals such as the Marlboro Music Festival in Vermont and the Steans Institute for Young Artists at Ravinia. He was a regular member of the Jupiter Chamber Players in New York City, and also toured with Musicians from Marlboro and Musicians from Ravinia’s Steans Institute. Eric was previously the Associate Principal viola in the Toronto Symphony Orchestra, and has served as guest principal viola with the Chicago Symphony Orchestra, Saint Paul Chamber Orchestra, the Metropolis Ensemble, and Cleveland’s Citymusic, as well as substitute viola with the New York Philharmonic.

Eric is Assistant Professor of Viola at Michigan State University, and has previously been Assistant Professor at the Faculty of Music at the University of Toronto, as well as Instructor of Viola at the Royal Conservatory of Music in Toronto. He spends time during the summer months teaching and performing at numerous music festivals in the United States and Canada.

He received his Bachelor’s and Master’s degrees from The Juilliard School, as a scholarship student of Samuel Rhodes. Eric plays on a 1757 J.B. Guadagnini viola on generous loan from the Detroit Symphony Orchestra, as well as a viola from 1910 made by Giovanni Pistucci, and a viola made by Sam Zygmuntowicz made in 2019.

Abraham Feder

Assistant Principal Cello

Abraham Feder began his tenure with Detroit Symphony Orchestra as Assistant Principal Cello in the fall of 2018. Prior to his appointment, he was a member of the Dallas Symphony Orchestra. During the summer of 2018, he served as the Assistant Principal Cellist of the Santa Fe Opera. Abraham began his orchestral career as Principal Cellist of the Sarasota Orchestra and Cellist of the Sarasota String Quartet from 2008-2016.

Abraham has been featured as a soloist with the Sarasota Orchestra, Duluth Superior Symphony Orchestra, Orchestra of the Americas, and the Chicago Youth Symphony Orchestra. In 2013, as a member of the Chroma Quartet, he founded the Tuesdays with Chroma concert series in Sarasota.

An avid chamber musician, Abraham has performed with Ricardo Morales, Amy Oshiro Morales, and Kerri Ryan of the Philadelphia Orchestra; Michelle Kim, Assistant Concertmaster of the New York Philharmonic; Richard Hirschl, Brant Taylor, Kenneth Olson, and Yuan-Qing Yu of the Chicago Symphony Orchestra (CSO); Stephen Balderston, former Assistant Principal cellist of the CSO; Desomd Hoebig, former Principal Cellist of the Cleveland Orchestra; Danielle Belen; Joseph Silverstein; Ray Chen; Christopher O’Riley; and Leonidas Kavakos.

Abraham earned his Master’s Degree under the tutelage of Desmond Hoebig at Rice University's Shepherd School of Music. He received his Bachelor of Music at The Curtis Institute of Music, where he studied with David Soyer and Peter Wiley. His teachers have also included Richard Hirschl and Tanya Carey.

Kevin Brown

Principal Bass

Minnesota native Kevin Brown began playing the bass at age 3. He has since gone on to perform with esteemed ensembles across the United States in a burgeoning career that has led him back to the Midwest as principal bass of the Detroit Symphony Orchestra, and Associate Professor of Double Bass at Michigan State University.

Kevin completed his Bachelors and Masters degrees at Rice University as a student of Paul Ellison. While at Rice, Kevin performed extensively with the Houston Symphony, including tours to New York and Moscow. In 2009 he won the International Society of Bassists Orchestral Competition, earning a week as a guest in the Philadelphia Orchestra bass section. Before his appointment to the DSO in 2014, Kevin also appeared as guest principal bass of the Atlanta Symphony.

Beyond orchestral performance, Kevin is an active soloist and chamber musician. Kevin gave his concerto debut with the Detroit Symphony Orchestra in 2015.

Kevin is also a deeply committed educator, and joined the faculty of Michigan State University in 2017. Outside of Michigan, he has taught as a guest at the Cleveland Institute of Music, Northwestern University, the University of Southern California, Texas Christian University, the Colburn School, and Rice University.

Ralph Skiano

Principal Clarinet

Known for his beautiful sound and expressive playing, Ralph Skiano was appointed principal clarinetist of the Detroit Symphony Orchestra in 2014 after having served in the same position in the Richmond Symphony and the Des Moines Metro Opera. He has also appeared as guest principal clarinetist of the Seattle Symphony, the Cincinnati Symphony, and the Cleveland Orchestra.

Ralph has been involved in numerous music festivals, including the Mainly Mozart Festival, The Peninsula Music Festival, the Britt Music Festival, Festival Lyrique-en-Mer, and the Tanglewood Music Center. As a soloist, he has been featured with ensembles in the United States, France, Germany, and Switzerland. In 2010, Ralph was a guest artist at the Oklahoma Clarinet Symposium and he was a featured soloist with the Baton Rouge Symphony at the 2014 International Clarinet Association Convention. Ralph appeared as a soloist several times with the Richmond Symphony, most notably performing Concerti by Mozart, Weber, and Copland. He made his Detroit solo debut with the DSO in March of 2015, performing Mozart's Concerto for Clarinet.

Ralph has served on the faculty of the schools of music at James Madison University and the College of William and Mary, and has presented masterclasses at UVA, Towson University, Louisiana State University, California State University Northridge, Michigan State University, Northwestern University, and the University of Maryland.

Under the guidance of Richard Hawley, Ralph completed his BM at the Cincinnati College-Conservatory of Music in 2002.

Michael Ke Ma

Acting Principal Bassoon

Michael Ke Ma started his professional career in 2000 when he was appointed Principal Bassoon of the Shanghai Broadcasting Symphony Orchestra (now the Shanghai Philharmonic Orchestra). In 2004, he was appointed the Assistant Principal Bassoon of the Detroit Symphony Orchestra by Neeme Järvi, making him the first Chinese wind player to earn such a title in a major US orchestra.

Michael was born in Shanghai, where he started violin lessons at the age of 5. After switching from violin to bassoon for only six months at age 11, he was accepted by the Shanghai Conservatory of Music to study with Professors Zhun Zhao, Zhi-Hong Song and Zhao-Lu Liu. In 2001, he was invited by Stephen Maxym, former Principal Bassoon of the Metropolitan Opera Orchestra, to study in the US under a full scholarship at the University of Southern California. He was Stephen's last recruit, and upon his passing, Michael continued his studies with Judith Farmer, former Principal Bassoon of the Austrian Radio Orchestra.

Since then, Michael has given solo recitals, chamber music and orchestral performances at many music festivals and venues around the globe, including the Banff Center for the Arts, Idyllwild Arts Summer Program, Sunflower Chamber Music Festival in Kansas, Asian Youth Orchestra, Spoleto USA Festival Orchestra, Beijing International Music Festival, Shanghai International Arts Festival, and the Tongyeong International Music Festival in Korea. Michael recently served as Principal Bassoon of the Global Chinese Festival Orchestra and was invited by Maestro Myung-whun Chung to play with the Asia Philharmonic Orchestra, based in Korea and comprising elite musicians worldwide. In 2015, Michael spent 2 months with the Singapore Symphony Orchestra as their Guest Principal Bassoon. He has also made guest appearances with the Chicago Symphony Orchestra in its 2010-2011 season. Michael has been interviewed by the Shanghai OTV and Detroit Fox2News, and his performances can often be heard on the radio at KUSC and K-MZT in Los Angeles; and WRCJ 90.9 and WWJ 950 AM in Detroit.

A dedicated teacher, Michael is very active in music education. He has taught master classes at Interlochen Arts Academy, participated in the Professional Panel at Michigan State University, coached private students at the Shanghai Conservatory of Music and Macau Youth Symphony Orchestra, and worked with the DSO's own Civic ensembles. He has regularly been invited by Yongyan Hu, Dean of the EOS Orchestra Academy of the Central Conservatory of Music in Beijing, and Long Yu, President of the Shanghai Orchestra Academy in Shanghai, to give master classes to their students.

Michael has collaborated with luminaries such as Yo-Yo Ma, Itzhak Perlman, Charles Dutoit, Lang Lang, John Williams, Fabio Luisi, Paavo Järvi, Kathleen Battle, Placido Domingo, and the late Kurt Masur. He currently travels between Detroit and Shanghai, where Maestro Long Yu invited him to be the guest principal with the Shanghai Symphony Orchestra.

Karl Pituch

Principal Horn

Karl Pituch was named Principal Horn of the Detroit Symphony Orchestra in May, 2000. Before joining the DSO, Karl was Associate Principal Horn with the Dallas Symphony Orchestra, Principal Horn with the Honolulu Symphony Orchestra, the Jacksonville Symphony and the Colorado Music Festival Orchestra. He served as a guest Principal Horn for the Boston Symphony Orchestra, the Los Angeles Philharmonic, the Cincinnati Symphony Orchestra, the St. Louis Symphony Orchestra, the St. Paul Chamber Orchestra, the Chautauqua Festival Orchestra and the Grand Teton Festival Orchestra.

Karl can be heard on many recordings with the Detroit, Dallas, San Francisco and Honolulu Symphony Orchestras, on the DSO’s Live from Orchestra Hall webcasts and as soloist with the Detroit Symphony in the John Williams horn concerto and Kerry Turner horn concerto.

Karl was the grand prize winner at the 1989 American Solo Horn Competition and has been a finalist at many other solo competitions. As a soloist, Karl has performed with orchestras in Japan, Hawaii, Colorado, Oklahoma, Arkansas, Ohio, Indiana, Florida and Michigan. He has been a frequent guest artist at numerous horn conferences and serves as a board member and judge at the International Horn Competition of America. An active chamber musician, Karl has recorded with The DSO Wind Quintet and the Spring Wind Quintet, toured many times with the American Horn Quartet, and participated in chamber music festivals in Marlboro, Vermont; Crested Butte, Colorado; Kapalua, Maui; Kazusa, Japan and Freden, Germany (with the American Horn Quartet).

Karl is currently the horn instructor at Wayne State University. He has taught at the University of Hawaii and has given master classes across the U. S. He is a co-founder, along with Denise Tryon, of Audition Mode, an annual horn seminar specializing in audition preparation. Karl earned his degree from the University of Toledo where he studied with Mary Kihslinger. He also studied with Froydis Wekre and Dale Clevenger.

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